The Reading Black Lives Book Group was founded in 2020 by Denise Woodin with a commitment to read books written by Black authors from the U.S. and abroad. Genres include contemporary novels, historical fiction, mysteries, and biographies. Join us for a discussion and fellowship on the book we have just read. All are welcome! For more information, please contact [email protected].
In the tradition of The Glass Castle, this “gorgeous” (The New York Times, Editors’ Choice) and deeply felt literary memoir from Whiting Award winner Nadia Owusu tells the “incredible story” (Malala Yousafzai) about the push and pull of belonging, the seismic emotional toll of family secrets, and the heart it takes to pull through.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY VULTURE, TIME, ESQUIRE, NPR, AND VOGUE!
“A magnificent, complex assessment of selfhood and why it matters” (Elle), Aftershocks depicts the way she hauled herself from the wreckage of her life’s perpetual quaking, the means by which she has finally come to understand that the only ground firm enough to count on is the one written into existence by her own hand.
“Full of narrative risk and untrammeled lyricism” (The Washington Post), Aftershocks joins the likes of Don’t Let’s Go to the Dogs Tonight and William Styron’s Darkness Visible, and does for race identity what Maggie Nelson does for gender identity in The Argonauts.
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Currently reading: Aftershocks by Nadia Owusu
About The Author Nadia Owusu is a Brooklyn-based writer and urban planner. She is the recipient of a 2019 Whiting Award. Her lyric essay So Devilish a Fire won the Atlas Review chapbook contest. Her writing has appeared or is forthcoming in TheNew York Times, The Wall Street Journal, Granta, TheGuardian, Bon Appétit, Electric Literature, The Paris Review Daily, and Catapult. Aftershocks is her first book. credit: https://www.simonandschuster.com/authors/Nadia-Owusu/150781252
Summary
Young Nadia Owusu followed her father, a United Nations official, from Europe to Africa and back again. Just as she and her family settled into a new home, her father would tell them it was time to say their goodbyes. The instability wrought by Nadia’s nomadic childhood was deepened by family secrets and fractures, both lived and inherited. Her Armenian American mother, who abandoned Nadia when she was two, would periodically reappear, only to vanish again. Her father, a Ghanaian, the great hero of her life, died when she was thirteen. After his passing, Nadia’s stepmother weighed her down with a revelation that was either a bombshell secret or a lie, rife with shaming innuendo.
With these and other ruptures, Nadia arrived in New York as a young woman feeling stateless, motherless, and uncertain about her future, yet eager to find her own identity. What followed, however, were periods of depression in which she struggled to hold herself and her siblings together. credit: https://www.simonandschuster.com/books/Aftershocks/Nadia-Owusu/9781982111236
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Devil in a Blue Dress – by Walter Mosley
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